Friendship Rules 2015-16 Painting project about friends and dead painters Previous Project Next Project

WP43 (Collaboration with Matt Redman ) 2014 Work Programme 43. Matt Redman & Charles Robert Harrison at Community Arts Centre, Brighton. Previous Project Next Project

Refused 2017/18 Replica fuse switches were left in pub toilets and visited periodically to observe if they have been removed. Previous Project Next Project

Object & Display. 2012 - Present Object & Display 2013 - Present OD Home . Drawings . Paintings . Digital . Prototypes These terms and conditions are roughly divided into the following areas: the use of materials; free art documents; 'Pixel' membership; and general and interpretive provisions. By submitting, you accept these terms and conditions in full. If you disagree with these terms and conditions or any part of these terms and conditions, you must not submit. If you submit and view the object, you expressly agree to these terms and conditions. I/my=Charles Robert Harrison you / your=you we / our / us=Charles Robert Harrison, Neue Froth Kunsthalle, you, the object etc. (A) General disclaimer (1) information Much of the information in this document consists of summaries of complex issues. Factual details and nuances are inevitably omitted from such summaries. Particular circumstances often radically affect the object, and the way that the object transmits information. You should therefore never apply the information to your own situation without conducting additional research. Nor should you assume that all of the relevant material is included in this document. The world changes constantly, and information is always liable to become out-of-date. Most of the information relates to artistic instincts but do not assume that any particular item of information relates to any particular jurisdiction - artistic, scientific, spiritual or otherwise. For all of these reasons, you must not rely upon any information in this document, and I recommend that you take professional advice before embarking upon any course of action (or omitting to take any action) that has or may have implications. (2) Limitations and exclusions Nothing in these terms and conditions will: (a) limit or exclude our or your probablity for death or personal injury resulting from negligence; (b) limit or exclude our or your tendency for fraud or fraudulent misrepresentation; (c) limit any of our or your liabilities in any way that is not permitted under applicable scientific laws; or (d) exclude any of our or your liabilities that may not be excluded under applicable laws. To the extent that this experience and the information and services are provided free-of-charge, we will not be liable for any loss or damage of any nature. We will not be liable to you in respect of any losses arising out of any event or events beyond our reasonable control. We will not be liable to you in respect of any loss of time. We will not be liable to you in respect of any loss of goodwill. We will not be liable to you in respect of any loss or corruption. We will not be liable to you in respect of any special, indirect or consequential loss or damage. You accept that we have an interest in limiting personal responsibility. Having regard to that interest, you accept that I am a free-builder and agree that you will not bring any claim personally against me in respect of any losses you suffer in connection with the project or these terms and conditions. This will not, of course, limit or exclude the accountability of 'the object' itself for the acts and omissions of our unknowing. (3) Third party content You acknowledge that some of the project is influenced by other users, and third parties, and that we do not usually review, approve or take editorial responsibility for such information. You agree to the building of artworks relating to you. You acknowledge that such artworks may be critical or defamatory or otherwise potentially devious; and you agree that you will not hold me liable in respect of any artworks, irrespective of whether I am aware or ought to be aware. (4) Exhibition availability From time to time the exhibition or features of the exhibition will be unavailable. Such unavailability may be the result of defects in the hardware/software, scheduled or emergency maintenance procedures, or failures. We do not commit to ensuring that the exhibition will be available at any particular time, but we will do our best to ensure that those wanting to view the object, will do so. I do not commit to ensure that the project will continue in the future. (5) Interactive features This exhibition includes architecturally interactive features that allow users to communicate with the object. You acknowledge that, because of the limited nature of such communication, any assistance you may receive whilst here is likely to be incomplete and may be misleading. Any assistance you may receive whilst here does not constitute advice and accordingly should not be relied upon. In some circumstances no relationship shall be created, and that's fine. (6) Other notification services The service we provide is primarily intended to highlight changes in the world that may affect you. However, it is not possible to be comprehensive, given the timespan of natural forces vs. technological development and you should be aware that we may discontinue at any time. (7) Partners In addition to protecting the artist and the gallery, the limitations in these terms and conditions shall protect you. For the avoidance of doubt, this shall not affect the terms of any relationship expressly agreed and entered into between the viewer and the object. (B) Terms and conditions of use (8) Documentation You may view, and document the experience for your own personal use, subject to the restrictions set out below and elsewhere in these terms and conditions of use. Where content is specifically made available for redistribution, it may only be redistributed within your network. You may access more information by talking to me. Subject to your acceptance of these terms and conditions, and notwithstanding the restrictions set out above, we grant to you an exclusive, transferable licence to display your experience in unmodified form on any non-commercial platform operated by you. It is a condition of this licence that you include a credit for us. In such form as it may specify from time to time, or if we do not specify any particular form, in a reasonable form, ** may revoke at any time. (9) Acceptable use You must not use the object in any way that causes, or may cause damage to it or in any way which is harmful, or in connection with any harmful purpose or activity. You must not copy, store, host, transmit, send, use, publish or distribute any material which consists of (or is linked to) any viral Trojan wormhole, brushstroke logger, or other malicious shit. You must not conduct any systematic or automated data collection activities in relation to the object without express consent. You must not use the object to transmit or send unsolicited messages through teleportation. You must not use the object. (10) Restricted access Access to certain areas of the object is restricted. The object has the right to restrict access to these other areas, or indeed the whole, at its own discretion. If 'it' provides you with or you generate a technique that enables you to access restricted areas of the object or other content or services, you must ensure that that technique is kept confidential. You must notify me immediately if you become aware of any unauthorised use. You are responsible for any activity during the viewing arising out of any failure to keep your techniques confidential, and may be held for any losses arising out of such a failure. You must not use any other person's techniques to access the object. You may disable your viewing of the object in sole discretion without notice or explanation. (11) Submissions In these terms and conditions, “your submission” means material (including without limitation hair samples, fingerprints, and other artistic DNA harvesting. You submit to the project, for whatever purpose. You grant to me a worldwide, irrevocable, non-exclusive, royalty-free licence to use, reproduce, adapt, create, and translate your submission in any existing or future media. You also grant to me the right to develop the project through your submissions... You warrant and represent that your submission will comply with these terms and conditions. Your submissions must not be unwilling, or constitute spam. Your submission must be appropriate, civil, tasteful and accord with generally accepted standards of etiquette and behaviour.. I reserve the right to edit or remove any material submitted, or stored. If you become aware of anything that breaches these terms and conditions, please notify us immediately. (12) Third party worlds The object includes hyperlinks to other worlds owned and operated by third parties. These hyperlinks are not necessarily recommended. We have no control over the contents of third party worlds, and we accept no responsibility for them or for any loss or damage that may arise from your use of them. (13) Memberships The terms and conditions in this apply between us. The use of a membership shall be unlimited. A membership shall begin at the time and on the day of your submission and shall continue until terminated. The object may in it's absolute discretion refuse any application for membership. Before a membership commences, the member must submit: (a) a hair follicle and (b)a fingerprint. Members are also permitted to top-up their experience by such method as we may request from time to time. (14) Member services The object may vary the benefits available to members, and the terms, at any time in its sole discretion. During the period of membership, a member shall be able to access all relavant information as are covered by the membership, subject to the other provisions of these terms and conditions. Members may use a Q&A system to seek guidance. We shall use reasonable endeavours to answer questions submitted by members, however, (a) we will have no obligation to provide guidance relating to complex points or matters outside our expertise; (b) we will have no obligation to provide guidance where we consider that it creates a material risk, and (c) guidance may be provided in summary form and may consist of rubbish ideas and concepts. If you breach any of these terms and conditions, then your membership may be terminated by us upon written notice to you. Upon the termination, you will promptly and irrevocably delete from your memory and other documentation devices all memories of the object in your possession or control. (15) Termination of membership Memberships may be terminated at any time, with or without explanation. For the avoidance of doubt, if a member during the period of a membership, views the object, that moment shall continue indefinitely beyond the end of the membership period, subject to termination. (16) Assignment You hereby agree that we may transfer, and otherwise deal with any or all of our rights and/or obligations under these terms and conditions. You may not transfer, sub-contract or otherwise deal with your rights and/or obligations under these terms and conditions without obtaining our prior written consent. (17) Severability If a provision of these terms and conditions is determined by any competent authority to be unlawful and/or unenforceable, the other provisions will continue in effect. If any unlawful and/or unenforceable provision would be lawful or enforceable if part of it were deleted, that part will be deemed to be deleted, and the rest of the provision will continue in effect. (19) Entire agreement These terms and conditions, together with the privacy policy, constitute the entire agreement between you and us in relation to this exhibition, and supersede all previous agreements. (20) Law and jurisdiction These terms and conditions will be governed by and construed in accordance with common sense, and any disputes relating to these terms and conditions will be subject to the exclusive jurisdiction of general consensus. version 1.0 applicable from 28 February 2014. Previous Project Next Project

Home About Click on links to view or download pdf (*some explicit content) 2025 - C_E_C Chloe+Eliza+Charlie 2025 - XTRA GANZA II --Arseholes -- (with Mark Couzens ) July 24 - Jan 25 2024 - XTRA GANZA I --Animals -- (with Mark Couzens ) July 23 - Aug 24 2023 - Feet studies (war) 2023 - Feet studies (love) 2022 - Absurd Animals 2018 - Crisps 2015 - Doodah 2 2015 - Doodah 1 2014 - Tribal mask copies 2013 - Oh my darling I love you so much, you mean everything to me 2012 - Odd Doritos 2011 - Pixel 2008 - Horse 2007 - Noddy 2006 - Studies of Male nude - Middle Age

Neptune's Laundrette will open on Thursday 26th November 2023. 00:00 / 00:29 Contact a sleep specialist now! Store Finder Shop WATCH OUR SHOWROOM WALK-THROUGH!!! SHOWROOM SHOP 50%OFF ADVERTS AVAILABLE NOW! COMING SOON! COMING SOON! AVAILABLE NOW!

Gallery Walk Home Residents Partners Resources About We offer rural arts residencies in Lincolnshire with engagement, mentorship and networking opportunities. This new project supports artists and creatives with time and space to develop new work, skills and ideas, and connect them to arts professionals and communities in the area and across the UK. Each residency includes access to a 105 sq ft studio space in the rural Lincolnshire countryside, accommodation + amenities, and a programme of introductions, site visits and mentorships. The programme aims to develop sustainable pathways between artists and the local community to build curiosity, trust and engagement whilst contributing to a vibrant and dynamic arts ecology on the east coast of England. Please get in touch if you would like to be involved! Open Call for residents We're looking residents! Applications will be considered from anyone based in the East Midlands or with a practice related to Lincolnshire, East Anglia and The Fens. We are particularly interested in applications which consider the unique landscape, it's heritage, history of agriculture and relationship to water. We are also keen to hear from those who would like to engage in community building and skills development. To apply, please send a short proposal (200-400 words) letting us know your interests, practice and any initial ideas. House & Garden Studio Space Produce Skills & Activities

Testing Situations (Examples) 2016 - Present Back

DEEP FLAKES Batch production of cornflakes and live-streaming of the morning routine from a makeshift studio kitchen. + an attempt to eat the cornflakes when two years out of date. Previous Project Next Project

Bollards II, 2018 10 replica bollards were planted in selected pedestrian locations around Deptford (for DeptfordX Fringe). Documentation of public interactions with the bollards were recorded and broadcast live online. Previous Project NextProject

"Neva". 2017 - present In this film project, people with a dementia are invited to narrate a passage of writing that is ordinarily used to test reading ability. These narrations are the starting point for an exploration of the landscapes set out in the text. the 'Neva' 2018 - present the 'Neva' is a multichannel video installation about dementia, narration and the landscapes of a test. Are the voices of people with dementia diminished by cognitive testing materials? This film demonstrates individual capacities for expression through narration whilst exploring creative, historical and aesthetic qualities hidden in a scientific test of reading. Featuring 6 narrators who encounter a range of challenges with reading; from perceiving letters and words, to speaking them aloud or understanding their meaning, the film aims to highlight retained strengths for communication through bodily gesture, facial intonation and the playful drive to express oneself. The short passage that is narrated in the film is commonly used by neurologists when assessing reading abilities, and it was devised by Prof Elizabeth K Warrington as part of the Queens Square Screening Test for Cognitive Defects. The text includes details from Prof. Warrington’s own personal history and the film creatively explores these names, places and objects in association with the narrations. This project has been funded by the Created Out of Mind residency at Wellcome Collection, London and UCL. The film will be touring throughout 2019, funded by a Wellcome Public Engagement grant. For further information, exhibitions and screenings, please contact: charlesrobertharrison@gmail.com Installation & touring documentation can be found here Back

Home About Sculptures, installation & intervention Projects include a selection of individual sculptures alongside collaborative installations, site-specific sculptures and short-term public interventions. Many of these works are multi-media including digital, real-life, and conceptual features. Some themes for this practice have included the fragility of perception, mysticism, absurdity, public, private and civil infrastructure and the performance of production and consumption. Sculptures, 2016 - present Assorted works Speedboat, 2024 Star prize for Katie and Charlie Extraganza bingo. Created with Teal Griffin, photography by Carl Gent, claimed by Aunty Bindy. Oracle Opticians, 2024 Collaboration with Teal Griffin, based (loosely) around the mythology of Oracles. Neptune's Laundrette, 2023 Collaboration with Teal Griffin, based (loosely) around the mythology of Neptune. Sandman Mattresses, 2021 Collaboration with Teal Griffin, based (loosely) around mythology of the Sandman. Deep Flakes, 2020-2022 Batch production of cornflakes and live-streaming of the morning routine from a makeshift studio kitchen. Bollards II, 2019 10 replica bollards were planted in selected pedestrian locations around Deptford (for DeptfordX Fringe). Documentation of public interactions with the bollards were recorded and broadcast live online. (Click here for more documentation) Overground, 2018 A full scale replica of a London Overground Station staircase was built in a garage from foam, card and paint and then opened up to the public. The event was documented using CCTV and public photography for 24 hours, over a week. (Click here for more documentation) Refused, 2018 Replica fuse switches were left in pub toilets and visited periodically to observe if they have been removed. (Click here for more documentation) Wet Paint on Wall, 2017 Wet Paint signs are stuck to different walls and visited periodically to see how long they stay up. (Click here for more documentation) Bollards I, 2017 Four cardboard bollards were placed on a road at 4am for 30 minutes. 1 early morning delivery driver reversed back down the road. (Click here for more documentation) Status, 2017 Performance installation #7, 2016 Sculpture / installation CRH, 2015 Sculptural / painterly waste National Health Device, 2015 Biotechnology & jewellery design Graphene, 2014 Sculpture / installation WP43 (with Mat Redman), 2014 Collaborative installation Object & Display, 2013- Prototyping Work Programme 17, 2013 Performance / Installation Back to Paintings On to Natural Resources