Object & Display. 2012 - Present Object & Display 2013 - Present OD Home . Drawings . Paintings . Digital . Prototypes These terms and conditions are roughly divided into the following areas: the use of materials; free art documents; 'Pixel' membership; and general and interpretive provisions. By submitting, you accept these terms and conditions in full. If you disagree with these terms and conditions or any part of these terms and conditions, you must not submit. If you submit and view the object, you expressly agree to these terms and conditions. I/my=Charles Robert Harrison you / your=you we / our / us=Charles Robert Harrison, Neue Froth Kunsthalle, you, the object etc. (A) General disclaimer (1) information Much of the information in this document consists of summaries of complex issues. Factual details and nuances are inevitably omitted from such summaries. Particular circumstances often radically affect the object, and the way that the object transmits information. You should therefore never apply the information to your own situation without conducting additional research. Nor should you assume that all of the relevant material is included in this document. The world changes constantly, and information is always liable to become out-of-date. Most of the information relates to artistic instincts but do not assume that any particular item of information relates to any particular jurisdiction - artistic, scientific, spiritual or otherwise. For all of these reasons, you must not rely upon any information in this document, and I recommend that you take professional advice before embarking upon any course of action (or omitting to take any action) that has or may have implications. (2) Limitations and exclusions Nothing in these terms and conditions will: (a) limit or exclude our or your probablity for death or personal injury resulting from negligence; (b) limit or exclude our or your tendency for fraud or fraudulent misrepresentation; (c) limit any of our or your liabilities in any way that is not permitted under applicable scientific laws; or (d) exclude any of our or your liabilities that may not be excluded under applicable laws. To the extent that this experience and the information and services are provided free-of-charge, we will not be liable for any loss or damage of any nature. We will not be liable to you in respect of any losses arising out of any event or events beyond our reasonable control. We will not be liable to you in respect of any loss of time. We will not be liable to you in respect of any loss of goodwill. We will not be liable to you in respect of any loss or corruption. We will not be liable to you in respect of any special, indirect or consequential loss or damage. You accept that we have an interest in limiting personal responsibility. Having regard to that interest, you accept that I am a free-builder and agree that you will not bring any claim personally against me in respect of any losses you suffer in connection with the project or these terms and conditions. This will not, of course, limit or exclude the accountability of 'the object' itself for the acts and omissions of our unknowing. (3) Third party content You acknowledge that some of the project is influenced by other users, and third parties, and that we do not usually review, approve or take editorial responsibility for such information. You agree to the building of artworks relating to you. You acknowledge that such artworks may be critical or defamatory or otherwise potentially devious; and you agree that you will not hold me liable in respect of any artworks, irrespective of whether I am aware or ought to be aware. (4) Exhibition availability From time to time the exhibition or features of the exhibition will be unavailable. Such unavailability may be the result of defects in the hardware/software, scheduled or emergency maintenance procedures, or failures. We do not commit to ensuring that the exhibition will be available at any particular time, but we will do our best to ensure that those wanting to view the object, will do so. I do not commit to ensure that the project will continue in the future. (5) Interactive features This exhibition includes architecturally interactive features that allow users to communicate with the object. You acknowledge that, because of the limited nature of such communication, any assistance you may receive whilst here is likely to be incomplete and may be misleading. Any assistance you may receive whilst here does not constitute advice and accordingly should not be relied upon. In some circumstances no relationship shall be created, and that's fine. (6) Other notification services The service we provide is primarily intended to highlight changes in the world that may affect you. However, it is not possible to be comprehensive, given the timespan of natural forces vs. technological development and you should be aware that we may discontinue at any time. (7) Partners In addition to protecting the artist and the gallery, the limitations in these terms and conditions shall protect you. For the avoidance of doubt, this shall not affect the terms of any relationship expressly agreed and entered into between the viewer and the object. (B) Terms and conditions of use (8) Documentation You may view, and document the experience for your own personal use, subject to the restrictions set out below and elsewhere in these terms and conditions of use. Where content is specifically made available for redistribution, it may only be redistributed within your network. You may access more information by talking to me. Subject to your acceptance of these terms and conditions, and notwithstanding the restrictions set out above, we grant to you an exclusive, transferable licence to display your experience in unmodified form on any non-commercial platform operated by you. It is a condition of this licence that you include a credit for us. In such form as it may specify from time to time, or if we do not specify any particular form, in a reasonable form, ** may revoke at any time. (9) Acceptable use You must not use the object in any way that causes, or may cause damage to it or in any way which is harmful, or in connection with any harmful purpose or activity. You must not copy, store, host, transmit, send, use, publish or distribute any material which consists of (or is linked to) any viral Trojan wormhole, brushstroke logger, or other malicious shit. You must not conduct any systematic or automated data collection activities in relation to the object without express consent. You must not use the object to transmit or send unsolicited messages through teleportation. You must not use the object. (10) Restricted access Access to certain areas of the object is restricted. The object has the right to restrict access to these other areas, or indeed the whole, at its own discretion. If 'it' provides you with or you generate a technique that enables you to access restricted areas of the object or other content or services, you must ensure that that technique is kept confidential. You must notify me immediately if you become aware of any unauthorised use. You are responsible for any activity during the viewing arising out of any failure to keep your techniques confidential, and may be held for any losses arising out of such a failure. You must not use any other person's techniques to access the object. You may disable your viewing of the object in sole discretion without notice or explanation. (11) Submissions In these terms and conditions, “your submission” means material (including without limitation hair samples, fingerprints, and other artistic DNA harvesting. You submit to the project, for whatever purpose. You grant to me a worldwide, irrevocable, non-exclusive, royalty-free licence to use, reproduce, adapt, create, and translate your submission in any existing or future media. You also grant to me the right to develop the project through your submissions... You warrant and represent that your submission will comply with these terms and conditions. Your submissions must not be unwilling, or constitute spam. Your submission must be appropriate, civil, tasteful and accord with generally accepted standards of etiquette and behaviour.. I reserve the right to edit or remove any material submitted, or stored. If you become aware of anything that breaches these terms and conditions, please notify us immediately. (12) Third party worlds The object includes hyperlinks to other worlds owned and operated by third parties. These hyperlinks are not necessarily recommended. We have no control over the contents of third party worlds, and we accept no responsibility for them or for any loss or damage that may arise from your use of them. (13) Memberships The terms and conditions in this apply between us. The use of a membership shall be unlimited. A membership shall begin at the time and on the day of your submission and shall continue until terminated. The object may in it's absolute discretion refuse any application for membership. Before a membership commences, the member must submit: (a) a hair follicle and (b)a fingerprint. Members are also permitted to top-up their experience by such method as we may request from time to time. (14) Member services The object may vary the benefits available to members, and the terms, at any time in its sole discretion. During the period of membership, a member shall be able to access all relavant information as are covered by the membership, subject to the other provisions of these terms and conditions. Members may use a Q&A system to seek guidance. We shall use reasonable endeavours to answer questions submitted by members, however, (a) we will have no obligation to provide guidance relating to complex points or matters outside our expertise; (b) we will have no obligation to provide guidance where we consider that it creates a material risk, and (c) guidance may be provided in summary form and may consist of rubbish ideas and concepts. If you breach any of these terms and conditions, then your membership may be terminated by us upon written notice to you. Upon the termination, you will promptly and irrevocably delete from your memory and other documentation devices all memories of the object in your possession or control. (15) Termination of membership Memberships may be terminated at any time, with or without explanation. For the avoidance of doubt, if a member during the period of a membership, views the object, that moment shall continue indefinitely beyond the end of the membership period, subject to termination. (16) Assignment You hereby agree that we may transfer, and otherwise deal with any or all of our rights and/or obligations under these terms and conditions. You may not transfer, sub-contract or otherwise deal with your rights and/or obligations under these terms and conditions without obtaining our prior written consent. (17) Severability If a provision of these terms and conditions is determined by any competent authority to be unlawful and/or unenforceable, the other provisions will continue in effect. If any unlawful and/or unenforceable provision would be lawful or enforceable if part of it were deleted, that part will be deemed to be deleted, and the rest of the provision will continue in effect. (19) Entire agreement These terms and conditions, together with the privacy policy, constitute the entire agreement between you and us in relation to this exhibition, and supersede all previous agreements. (20) Law and jurisdiction These terms and conditions will be governed by and construed in accordance with common sense, and any disputes relating to these terms and conditions will be subject to the exclusive jurisdiction of general consensus. version 1.0 applicable from 28 February 2014. Previous Project Next Project

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Speedboat,2024 Star prize for Katie and Charlie Extraganza bingo. Created with Teal Griffin , photography by Carl Gent , claimed by Aunty Bindy. Previous Project Next Project

SEE THE FUTURE, CLEARLY Photography by Corey Bartle-Sanderson IMAGINE THE FUTURE TAKE OUR TEST TODAY MAKE A SPECTACLE OF YOURSELF Article - Post Art Clarity Open from 6:30pm, Thursday 20th June 2024 FRI to SAT 12:00-18:00 and Thursday by APPOINTMENT NOW CLOSED Chemist Gallery 57 Loampit Hill, London SE13 7SZ

Testing Situations (Artworks) 2016 - Present Back

Skills & Activities We want to share creative skills and knowledge with the community and learn new things from Gallery Walk residents. We're open to any ideas but some examples below include clay-making, ceramics, film, photography, bird-box making, upcycling, wood-working, ecological science and metalwork. Home House & Garden Studio Space Produce Skills & Activities Let’s Work Together Get in touch so we can start working together.

Sandman Mattresses will re-open on 15th April 2021!!!!

Study Projects (Painting) 2013-15 Installed at UCL Dementia Research Centre, London Back

Lamp (forge), 2024 Displayed at the Gliderdrome, Boston Previous Project Next Project

Testing Situations About Blog Events Team Partners Protocal Minutes Search Results More Project Lead Artist Charlie Harrison has been collaborating with researchers and building projects that foreground the creative strengths of people with rare dementias for the past 5 years. He is particularly focussed on opening up broad public conversations about the experience of cognitive testing and how art might be a useful tool to shape best practice. Collaborators & Advisors Prof Seb Crutch ’s research has focused on the neuropsychological investigation of perceptual function and language in individuals with neurodegenerative disease and stroke. Particular interests include the exploration of visual disorders and disease progression in posterior cortical atrophy (PCA), and analysis of refractory access disorders, and abstract and concrete conceptual knowledge. Emeritus Prof Elizabeth Warrington is a true trailblazer in cognitive testing devising materials and methods of assessment that are used widely by researchers, clinicians and neuropsychologists. Now retired, Elizabeth continues to be an honorary member of the UCL Dementia Research Centre, sharing her knowledge with scientists and artists in the field. Prof Brian Day has studied many different aspects of motor control in people who are either healthy or suffer from a wide range of neurological diseases. His current research is devoted to understanding multi-sensory processes that control and integrate whole-body motor activities. Prof. Paul Camic is a clinical health psychologist who has a long term interest in the arts and healthcare. He also has a particular interest in public health approaches to dementia care. Emma Harding is a social scientist doing mostly qualitative research (home-based interviews and observations) with people with different kinds of dementia. She is interested in how people describe, rate and otherwise capture or express their experiences of having a diagnosis of a dementia and in finding new and innovative ways to do this. Keir Yong is a research psychologist whose work has primarily focused on investigating how Alzheimer’s disease and posterior cortical atrophy affect visual perception and spatial awareness. His research combines approaches of neuropsychological and engineering disciplines to develop and evaluate strategies supporting independent activities. Bhupendra and Urvashi Desai were part of the ‘Neva’ film project, and continue to make valuable contributions to this work. They are particularly interested in shifting the focus to include human attributes such as love, compassion, laughter and wisdom. Rose de Paeztron and Keith Roberts were active participants in many projects at Created Out of Mind, including the 'Neva' film. They have also been keen members of YOYO, a support group for people with young onset dementia in North London with a focus on activities such as creative learning, dance, singing and music therapy. Mhari McLintock was a narrator for the Neva film and has also recently participated in a number of research trials. Mhari has a mantra of “if not now, when?” and likes to get around on a tandem. Roberta McKee Jackson has been actively involved in several Rare Dementia Support groups, and now provides regional support for the charity. Through her work Roberta hopes to raise awareness of rare dementias and the importance of support groups for those living with dementia and their families/carers Charlie Murphy is an artist investigating visual, linguistic and scientific metaphors and tools used to describe, analyse and understand the impact of dementias. Charlie is creating a range of artworks, performances and events which aim to raise awareness about the varied and unexpected impacts of dementias at social, personal and cellular levels. See examples of work in progress here Emilie Brotherhood is a PhD student and Research Fellow at the Dementia Research Centre, UCL, with a background in cognitive neuroscience. Emilie was a collaborator in the Created Out of Mind residency, and continues to work with Charlie Harrison on the Rare Dementia Support Impact study and ethical considerations for artists working in the field. Dr Chris Hardy is a Postdoctoral Research Fellow at the Dementia Research Centre (UCL) funded by Action on Hearing Loss and the Dunhill Medical Trust. His current work focuses on understanding the relationship between hearing loss and dementia, and he has a special interest in a rare group of ‘language-led’ dementias known as the primary progressive aphasias Dilek Ocal , Phd student and study coordinator, has been involved in Alzheimer’s research for the past 5 years. Her work combines behavioural and cognitive assessments with novel and more conventional neuroimaging methods to uncover the relationship between dementia related brain changes and the diverse behavioural and cognitive presentations within the Dementia syndrome. Kirsty Lu has been researching Alzheimer’s disease for 7 years, focussing on measuring the earliest changes in memory and thinking. As someone who administers cognitive tests week by week, she is interested in the strengths and limitations of this type of assessment, and in reflecting on the different ways that people respond to the experience of being tested. Hannah Carr is a psychology research assistant working on projects focusing on ageing, memory and cognition. She administers many different tasks to tap into these three elements and is interested in how different people perform on these tasks and how they respond to them. Testing Situations owes a huge debt of thanks to a number of other people whose valuable contributions of time, conversations, participations and friendships have shaped this work immeasurably. Rare Dementia Support Nikki Zimmerman Eva Tait John Fowler Rosemary Fowler Sheila Keegan Chris Pouncey Clive Smith Christine Smith Helen Smith Created Out of Mind Kailey Nolan Gill Windle Julian West Hannah Zeilig Millie van der byl Williams Harry MacQueen Natasha Trotman Caroline Evans Janette Junghaus Fergus Walsh Susanna Howard Janneke van Leeuwen Nicholas Firth UCL Suzie Barker Ivanna Pavisic Jason Warren George Thomas Elia Benhamou Amy Peters Matthew Bancroft Diego Kaski Wellcome Harriet Martin Tony Woods Bridie Rollins Natasha Wright Touring Contacts Helen Craig Claire Robertson Diane Garfield Robina Maslen Julie Negus Kester Muller Sabrina Moxom Marine Begault Carolyn Goodwin Clare Hankinson John-Paul Muir Catherine Butcher Karen Inglis John Lewis James Upton Sarah Nolan Viviana Checchia Other Amelia Carton Daniel Fridholm Katie Simpson Hannah Fridholm Richard Day

FAQ What is Sandman Mattresses? Sandman Mattresses is an installation, sculptural exhibition and online mediation created by Teal Griffin and Charles Robert Harrison based (loosely) on mythology surrounding the Sandman. The installation takes the form of a mattress showroom & shopfront and is the culmination of conversations and collaborative making over the last two years. What is the background to this? The project has felt primarily like an excuse to work together as we felt there were interesting crossovers between our work. The initial idea started as an informal conversation on the front seat of the top deck of a double decker bus after getting lost and jumping on trampolines. We have been meeting, talking and working together on the project since then. What is Crappy Realism? Crappy Realism is a term first (or most recently) used by artist Rosa Doornenbal to describe a current tendency for artwork which is highly realistic and recognisable in form, but the construction uses crappy materials, techniques or effects. If you were a mattress, what mattress would you be? A bit old and tired. Sweat stained, but not to the extent of disgust. Pretty comforting at the end of the day. What's on offer at Sandman Mattresses? A range of things, from the world's most breathable pillow to a fully automated office. Sleep / Dream Advice The best (and worst) dreams always start with sleep. How can I purchase a mattress and / or other products? Please contact us with your enquiry Why is the shop located here? Partly because the space was available, but it does fit in quite well and the surroundings have certainly influences the design of the installation. Who is Sandman? What is the relationship to set design? Is Sandman Mattresses closing down? How is scale and repetition used in your process? How long will this go on for? How do you approach branding? What do I do if I'm unsatisfied with my experience?