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Friendship Rules 2015-16 Painting project about friends and dead painters Previous Project Next Project

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Dashboard 2016-present Painting and augmented reality experimentation Previous Project Next Project

Testing Situations (Artworks) 2016 - Present Back

Artwork Archive 2007 - present Kindred Spirits, 2020 Landscape paintings LINCS 2020 Clay-making, pottery, painting and sculpture. Water Storage, 2019-present Diagrammatic drawings / paintings based on water management systems. Water Testing, 2019 Water sample testing workshop for News Seasonal School Thriving in the Extreme, 2018 Film Performer (Collaboration with Rachel Champion & Patrick Furness) Sculptures and Placements, 2007-present Mixed works Conditions for Ongoingness, 2018 Workshop documentation Status, 2017 Performance installation Dashboard, 2016 - Painting & augmented reality experimentation Baby Abstracts, 2015-17 Painting project #7, 2016 Sculpture / installation Friendship Rules, 2015-16 Painting project CRH, 2015 Sculptural / painterly waste NHD, 2015 Technology & jewellery design Digital Studies, 2013-15 Mock-ups & designs The Swynnerton Plan, 2015-present Painting & growth project Graphene, 2014 Sculpture / installation Assorted Paintings, 2007-present Mixed works WP43 (with Mat Redman), 2014 Collaborative installation Object & Display, 2013- Prototyping Work Programme 17, 2013 Performance / Installation Nature: Humanity: Technology, 2010 Sculpture, painting & installation Faces, 2008-2017 Paintings LET US DRAW YOUR FACEBOOK PROFILE PICTURE FOR FREE!!!!, 2008 Drawing with friends Back Next

Studio & Accomodation The studio was added by the previous owner, an artist whose family lived on the plot for many years. There are two main walls (8mX3m and 5mX3m), storage and access to a basic range of tables, materials, tools and equipment. The studio also has heaters, a sink, furniture, fridge and freezer. The house is fully furnished and very comfortable, with access to all the usual amenities (bedrooms, bathroom, office, study and lounge) Home House & Garden Studio Space Produce Skills & Activities Let’s Work Together Get in touch so we can start working together.

About Blog Events Team Partners Protocal Minutes Search Results More Field Notes Explain the purpose of the project right at the beginning (more important than the background) Does online / social media (in relation to a public engagement tour) present challenges for consent in the long run? i.e. once it’s out there, it’s out there. It’s important to listen more and ask people to expand when they speak or ask questions. Explain the development of working methods and situate the project in the context of research. Find ways for people to participate early on and throughout (eg, a show of hands) Always check sound levels Be clear about what we want from each audience we work with and why. Carers have a strong interest and stake in how loved ones are represented, it's important to listen to concerns. Ask for both positive and negative feedback – criticality is important. Why is it important for people to get involved (who don’t necessarily have personal ties to dementia)? Do artistic environments create better spaces for opening up? The levels of insight from the carer and the PLWD are different. History taking and taking time for conversation are the most important part of an assessment. Having continuity in appointments with clinicians can act as an important form of support. The MMSE is talked about a lot and I’ve never heard anything positive said about it. Aspects of this project may be inappropriate for people living with dementias. vs Aspects of this project may help communicate the experience of dementias to people who don’t live with them. It is upsetting to (perceive yourself) not to be able to do something. It is incredibly rewarding to overcome that feeling Helping each other out and listening is an important part of that process. People may participate, but not be able to understand consenting process – these people will be excluded from the presentational side of the project (information sealed / closed off). Reading out scripted information is not good – it’s important to be personable. Taking time to get to know each other is really important (parachuting in is ineffective and uncomfortable). What do we mean when we say we are aiming for ‘new forms of assessment’? Researcher notes the challenge of being personable vs getting results when testing (part of professional development?)

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Single Yellow Lines 2016 - present Single Yellow Lines is an interdisciplinary project investigating the characteristics of singular painted gestures. Can single painted gestures tell us anything about individual moments of creativity? This project invites people to paint single lines - both controlled and expressive - in artistic, public and experimental contexts. Single Yellow Lines is exploring and recording moments of painterly action in a series of creative environments. Around 500 people have been invited to paint single yellow lines; as part of an art activity at Rare Dementia Support Groups, in one-on-one conversations with artists, scientists, people with dementia and carers, and at public talks and events. The project has been further adapted as part of the “Am I the right way up?” Study investigating balance, movement and perceived verticality for people with Posterior Cortical Atrophy - an atypical form of Alzheimer’s disease which predominantly affects visual and spatial perception. Further artistic experiments using virtual reality and data-as-sound are currently being explored. The project aims to highlight the individuality and complexity contained in a single gesture, whilst also developing innovative techniques and situations for recording, analysing, interpreting and storing artistic and scientific data. This project has been funded by the Created Out of Mind residency at Wellcome Collection, London and UCL. The project will be touring throughout 2019, funded by a Wellcome Public Engagement grant. For further information, exhibitions and screenings, please contact us Touring information can be found here Please click here for lines painted in Virtual Reality using Google Tiltbrush Back