Bollards I, 2016 Four cardboard bollards were placed on a road at 4am for 30 minutes. 1 early morning delivery driver reversed back down the road. Previous Project Next Project

Artwork Archive 2007 - present Kindred Spirits, 2020 Landscape paintings LINCS 2020 Clay-making, pottery, painting and sculpture. Water Storage, 2019-present Diagrammatic drawings / paintings based on water management systems. Water Testing, 2019 Water sample testing workshop for News Seasonal School Thriving in the Extreme, 2018 Film Performer (Collaboration with Rachel Champion & Patrick Furness) Sculptures and Placements, 2007-present Mixed works Conditions for Ongoingness, 2018 Workshop documentation Status, 2017 Performance installation Dashboard, 2016 - Painting & augmented reality experimentation Baby Abstracts, 2015-17 Painting project #7, 2016 Sculpture / installation Friendship Rules, 2015-16 Painting project CRH, 2015 Sculptural / painterly waste NHD, 2015 Technology & jewellery design Digital Studies, 2013-15 Mock-ups & designs The Swynnerton Plan, 2015-present Painting & growth project Graphene, 2014 Sculpture / installation Assorted Paintings, 2007-present Mixed works WP43 (with Mat Redman), 2014 Collaborative installation Object & Display, 2013- Prototyping Work Programme 17, 2013 Performance / Installation Nature: Humanity: Technology, 2010 Sculpture, painting & installation Faces, 2008-2017 Paintings LET US DRAW YOUR FACEBOOK PROFILE PICTURE FOR FREE!!!!, 2008 Drawing with friends Back Next

Studio & Accomodation The studio was added by the previous owner, an artist whose family lived on the plot for many years. There are two main walls (8mX3m and 5mX3m), storage and access to a basic range of tables, materials, tools and equipment. The studio also has heaters, a sink, furniture, fridge and freezer. The house is fully furnished and very comfortable, with access to all the usual amenities (bedrooms, bathroom, office, study and lounge) Home House & Garden Studio Space Produce Skills & Activities Let’s Work Together Get in touch so we can start working together.

Natural Resources Home About Conditions for Ongoingness (Documentation) 2018 Conditions for Ongoingness was a project furthering investigation into the symbiotic nature of human and non-human systems. The exhibition at Jupiter Woods reflected on a two-day permaculture workshop led by artist and environmentalist Charles Pryor in October 2017 and new works by invited artists considered our entwined relationship with the environment and with each other. More information here Previous Project Natural Resources Homepage

NHD 2016 So me initial attempts at designing a technological device for personalised healthcare. Previous Project Next Project

OD Home . Drawings . Paintings . Digital . Prototypes

Produce The garden is perfect for growing, fermenting and permaculture. There are some raised beds, an abundance of apples and a lot of potential for more. Over the past three years we've been working on a community apple project to make craft apple juice, cider and hosting an annual wassail event. Home House & Garden Studio Space Produce Skills & Activities Let’s Work Together Get in touch so we can start working together.

About Blog Events Team Partners Protocal Minutes Search Results More Ethical questions for artistic engagement and research with people living with dementia How is consent gained (& ongoing consent)? Does consideration of capacity and consent exclude people from participation? Does the project encompass differences in emotional range (not one size to fit all)? What is the comparative value to the participant to the practitioner? What happens (to the project, people, work, data etc) after the activities end? Process vs product (for whose benefit)? How do audiences change as the project progresses? Is it problematic for ‘dementia’ to act as an inspiration for artistic work / research? To what extent does the project interact with the person vs the illness? What considerations are there in place in terms of carer involvement? Does the extent of engagement offered suit the form and aims of the project? Are the activities culturally and socially inclusive? If work is by nature exploratory, how is this (uncertainty) communicated? How can the value of uncertainty in the process be aligned with clear, structured pre-emptive protocols? What is the justification for appropriation (in art and research)? Is criticality of the methods used embedded in the project and are there ways to adapt and change? Can the benefits of criticality outweigh the benefits of positive engagement? What is meant by positive engagement? i.e. what sort of experiences are to be encouraged?

Home About Commercial painting Painting Painting remains a useful place to get down some thoughts, with a mixture of themes and projects. There often seems to be a relationship between humanism and different forms of technology. Assorted Paintings, 2012-present Mixed works Memes, 2021 Paintings of snapshots from social media Dashboard, 2016 - present Painting & augmented reality experimentation Baby Abstracts, 2015-17 Painting project about recognition and fragmented perception Friendship Rules, 2015-16 Painting project of favourite friends and dead painters The Swynnerton Plan, 2015-present Painting project about redaction and growth Back to All Projects On to Sculpture, Installation & Intervention

Thriving in the Extreme - Extremophile Conference (Performer) 2018 A collaboration between Rachel Champion and Patrick Furness. Thriving in the Extreme is an academic conference which brings together a group of extremophiles to discuss the extreme physiological characteristics and environments they inhabit. More information here Previous Project Next Project

Gallery Walk Home Residents Partners Resources Open Call for residents We're looking residents! Applications will be considered from anyone based in the East Midlands or with a practice related to Lincolnshire, East Anglia and The Fens. We are particularly interested in applications which consider the unique landscape, it's heritage, history of agriculture and relationship to water. We are also keen to hear from those who would like to engage in community building and skills development. To apply, please send a short proposal (200-400 words) letting us know your interests, practice and any initial ideas. House & Garden Studio Space Produce Skills & Activities

House & Garden The house was built in 1840 on allotment land. To this day, the house cannot be reached by car and must be accessed by a public footpath from the village of Pinchbeck. Locked in by waterways, the kitchen looks out over changing agricultural fields to the River Glen, the water tower and beyond. The garden is established, with three old apple trees, cherry blossom, rosehip, ivy and creeping buttercup. The overgrown plot which neighbour's the site is home to many birds and wildlife, and Gallery Walk's garden has been home to our rabbits Leyla & Boris, and lurcher Peggy. Home House & Garden Studio Space Produce Skills & Activities Let’s Work Together Get in touch so we can start working together.