Search this site

Faces 2008-2017 Formal experiments with the human face Previous Project Painting Homepage

Testing Situations About Blog Events Team Partners Protocal Minutes Search Results More Testing Situations is a public engagement project that inhabits, adapts and reflects on cognitive testing methods and artistic experimentation. The purpose of these screenings, workshops and events is to explore how it feels to be tested, whilst also considering the possibilities for artistic and expressive activities as alternative routes for assessment and diagnosis. Testing Situations is funded by a Public Engagement Grant awarded by the Wellcome Trust. We are also working alongside the RDS Impact Study - a 5-year research project investigating the impact of Rare Dementia Support (RDS) group services for individuals living with, or affected by, rare dementias. Contributions made by participants in the project are anonymous, however there will be multiple forms of record produced: We will be collecting diversity and monitoring information in order to assess the impact of our events. These forms will be hugely helpful for evaluation of the project. We would like to document the events through photography. If you do not want to be included in this documentation, please talk to a member of the project team. We would like to record some conversations and discussions with an audio recorder. These recordings are made to help the project team evaluate the project. The recordings will not be made public although anonymous, transcribed quotations from participants may be used to communicate key learning outputs to the general public and funders. Participants in workshops will be asked to produce drawings and other creative outputs. These creative outputs will remain anonymous but may be presented as a whole to the general public in the form of exhibitions and public displays. If participants do not want their creative outputs to be displayed, please seal them in the envelope provided at the end of the session. Information, artistic outputs and data collected as part of the project will be securely stored and archived and may be used to develop further research in this area. Participants will be issued with a card containing a reference number and contact details for the project. You may withdraw your contributions at a later date by quoting this reference. Participants in these activities are not being assessed and there are no right or wrong answers. Participation is not mandatory, and you are free to withdraw from the activities at any time. The activities are being trialled and developed and we welcome feedback to improve the project. We want to critically engage with the experience of testing, but we also want to have fun, so rule-breaking and adaptation is encouraged!

Natural Resources Home About Studies, 2020-25 Experiments with clay-making, sculpture and painting. Previous Project Next Project

Bollards II, 2018 10 replica bollards were planted in selected pedestrian locations around Deptford (for DeptfordX Fringe). Documentation of public interactions with the bollards were recorded and broadcast live online. Previous Project NextProject

Shop SHOP

Available Works This section is currently under construction, please contact for enquiries and more information. Archive 2016-2008 2016 Willem, 2016 Oil on board 24x36 inches June, 2016 Oil on board 24x36 inches Renoir, 2016 Oil on board 24x36 inches Henriot, 2016 Oil on board 24x36 inches Britney, 2016 Oil on board 24x36 inches 2015 Paroxysm, 2015 Acrylic on canvas 36X47.5 inches Nixie, 2015 Acrylic on canvas 36X36 inches Cajole, 2015 Acrylic on canvas 36X36 inches Sanguine, 2015 Acrylic on canvas 36X36 inches 5S4 (Self), 2015 Mixed media on board 24X35.5 inches 2B25 (Self), 2015 Mixed media on board 36X48.5 inches 3B3 (Self), 2015 Mixed media on board 36X48.5 inches 2014 Sidium, 2014 Acrylic on canvas 20X24 inches Amulet, 2014 Acrylic on canvas 20X24 inches 2013 A Critical Mass, 2013 Gloss on canvas 24 X 32 inches Candy, 2013 Mixed media on canvas 28X36 inches Terminal, 2013 Mixed media on canvas 25.5X25.5 inches Acinol II, 2013 Mixed media on canvas 24X33 inches Nimbus Mentis (Study), 2013 Mixed media on board 19X24 inches (Framed) CM Study, 2013 Mixed media on canvas 18X24 inches Maroon, 2013 Mixed media on linen 31X41.5 inches Nexus, 2013 Mixed media on linen 31X41.5 inches Self, 2013 Mixed media on linen 25.5X32 inches 2012 Flip, 2012 Mixed media on canvas 24 X 32 inches Malloy, 2012 Mixed media on canvas 28 X 33.5 inches 2011 Thomas, 2011 Oil on board 29.5 X 39.5 inches The Shaver (study), 2011 Mixed media on paper 6X8 inches 2010 Flock, 2010 Mixed media on board 32 X 35 inches (framed) Flock (Study), 2010 Mixed media on board 8.5 X 11.5 inches Leaders I, 2010 Acrylic on board 21 X 26 inches Leaders II, 2010 Acrylic on board 21 X 26 inches Thirsty, 2010 Mixed media on board 28 X 34 inches Fossil, 2010 Mixed media on board 16 X 24 inches Adumb, 2010 Mixed media on board 20.5 X 25.5 Sonance, 2010 Mixed media on board 22 X 24 Lacuna, 2010 Mixed media on board 20 X 28 Untitled (face), 2010 Mixed media on board10 X 14 inches 2009 Pallor Mortis, 2009 20 X 32 inches Ascetic Spear Tracks, 2009 Mixed media on board 38 X 48 inches (framed) Raging Brown, 2009 Mixed media on board 17.5 X 28 inches The Ashes Descent, 2009 Mixed media on board 40 X 29.5 inches Deaha, 2009 Mixed media 22.5 x 25 inches (framed) Gladys, 2009 Mixed media 12 X 15.5 inches (framed) Swonkeh (the wise), 2009 Mixed media on board 27 X 35 inches (framed) Untitled (face), 2009 Mixed media on board 19 X 28 inches 2008 Plena, 2008 Mixed media on canvas 24 X 36 inches FF Shift I, 2008 Mixed media on canvas 16 X 20 inches FF Shift II, 2008 Mixed media on canvas 16 X 20 inches FF Shift III, 2008 Mixed media on canvas 16 X 20 inches Cosset, 2008 Mixed media on canvas 24 X 24 inches

OD Home . Drawings . Paintings . Digital . Prototypes

Gallery Walk Home Residents Partners Resources About We offer rural arts residencies in Lincolnshire with engagement, mentorship and networking opportunities. This new project supports artists and creatives with time and space to develop new work, skills and ideas, and connect them to arts professionals and communities in the area and across the UK. Each residency includes access to a 105 sq ft studio space in the rural Lincolnshire countryside, accommodation + amenities, and a programme of introductions, site visits and mentorships. The programme aims to develop sustainable pathways between artists and the local community to build curiosity, trust and engagement whilst contributing to a vibrant and dynamic arts ecology on the east coast of England. Please get in touch if you would like to be involved! Open Call for residents We're looking residents! Applications will be considered from anyone based in the East Midlands or with a practice related to Lincolnshire, East Anglia and The Fens. We are particularly interested in applications which consider the unique landscape, it's heritage, history of agriculture and relationship to water. We are also keen to hear from those who would like to engage in community building and skills development. To apply, please send a short proposal (200-400 words) letting us know your interests, practice and any initial ideas. House & Garden Studio Space Produce Skills & Activities

Baby Abstracts, 2015-present Painting project about recognition and fragmented perception Previous Project Next Project

NHD 2016 So me initial attempts at designing a technological device for personalised healthcare. Previous Project Next Project

House & Garden The house was built in 1840 on allotment land. To this day, the house cannot be reached by car and must be accessed by a public footpath from the village of Pinchbeck. Locked in by waterways, the kitchen looks out over changing agricultural fields to the River Glen, the water tower and beyond. The garden is established, with three old apple trees, cherry blossom, rosehip, ivy and creeping buttercup. The overgrown plot which neighbour's the site is home to many birds and wildlife, and Gallery Walk's garden has been home to our rabbits Leyla & Boris, and lurcher Peggy. Home House & Garden Studio Space Produce Skills & Activities Let’s Work Together Get in touch so we can start working together.

Natural Resources Home About Water Testing 2019 WATER TESTING for N — E º W ˝( S ) Seasonal School Between 11th - 15th March 2019, a series of workshops and practical experiments led by ten selected participants took place at Jupiter Woods, expanding on the states of domestic chaos and order by producing visual and critical responses. Research, documentation, conversations and materials produced during the week were consolidated in an exhibition. More Information Here 2:30 – Reading 1 – Old Dykes I Have Known 2:45 – Reading 2 – Punt & Plough 3:00 - Video - Government to launch a national water storage and harvesting authority 3:10 – Hot spot drawings & collection of samples (not from taps) (20mins) 3:30 – Labelling (Sample name & number) (5mins) 3:35 – pH testing (Test your own sample) + Notes (5mins) 3:40 – 14-in-one (Test your own sample) + Notes (20mins) 4:00 – SIMPLEX In pairs (Comparison between samples) (30mins) 6 Group names: Chlorine / Iron / Copper / Free Chlorine / Sulfate (Wildcard) / Hydrogen Sulfide (Wildcard) *Notetaking 4:30 – Consumption & WATERSAFE Full test of tap water (A glass each) 5-6 Group Names: Bacteria / Lead Pesticide / Nitrate & Nitrite / pH / Hardness / Chlorine *Notetaking Safe to drink classification…. Y/N 5:00 – Most likely sample for E-coli - single test Written Text - Dirty Waters Previous Project Next Project