Friendship Rules 2015-16 Painting project about friends and dead painters, exhibited in a pub for my 30th birthday. Previous Project Next Project

Wet Paint on Wall 2017/18 Wet Paint signs are stuck to different walls and visited periodically to see how long they stay up. Previous Project Next Project

Assorted Paintings 2012-present Mixed works, various sources Back to paintings homepage Next Project

Temporary Observations 2016 - present How do common objects and experiences direct and shape our actions? This project creates artificial interventions in the built environment for observation into the fragility of our perceptual models. The observation of genuine human behaviours can be fleeting and ungraspable. By placing engrained signs, models and installations in a series of common and less common scenarios, viewers are invited to interact with artificial structures and test their perceptual agility. Documentation and recording of these interactions may be left to the imagination; when objects such as replica fuse switches or wet paint signs are removed or taken, residues of these accords and altercations can be seen and pondered. More recently, CCTV systems have been used alongside live note-taking, trap-cams and documentation by the viewers themselves. LOST Misplaced objects of play Work in progress Bollards II 10 replica bollards were planted in selected pedestrian locations around Deptford (for DeptfordX Fringe). Documentation of public interactions with the bollards were recorded and broadcast live online. (Click here for more documentation) Overground A full scale replica of a London Overground Station staircase was built in a garage from foam, card and paint and then opened up to the public. The event was documented using CCTV and public photography for 24 hours, over a week. (Click here for more documentation) Wet Paint on Wall Wet Paint signs are stuck to different walls and visited periodically to see how long they stay up. (Click here for more documentation) Refused Replica fuse switches were left in pub toilets and visited periodically to observe if they have been removed. (Click here for more documentation) Bollards I Four cardboard bollards were placed on a road at 4am for 30 minutes. 1 early morning delivery driver reversed back down the road. (Click here for more documentation) Back Next

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Natural Resources Home About Photographic studies Back Home Next Project

Charles_Harrison_Faces Procession (variation I), 2024 40x40cm Ink, acrylic, pastel, oil and resin on printed canvas Procession (variation II), 2024 40x40cm Ink, acrylic, pastel, oil and resin on printed canvas Quadrate (variation I), 2024 80x80cm Ink, acrylic, pastel, oil and resin on printed canvas Biography Charles Harrison (b. 1986, Kenya) is a dynamic contemporary artist whose work explores the depths of human emotion and connection. Harrison’s paintings are not portraits in the traditional sense but rather expressions of human experience—fluid, layered, and deeply introspective. His figures emerge from textured surfaces, built through an instinctive process of abstraction and realism. By layering colour, mark-making, and spatial depth, he creates works that evoke the complexity of human interaction and perception. “In these faces,” Harrison explains, “I seek a kind of abstract realism—one that resonates both visually and emotionally. I want the viewer to feel a moment of recognition, as if their gaze is met and understood.” In r ecent developments, Charles has been working alongside AI to explore new mark-making techniques , and technological relationships with the human. With a growing international presence, his work is held in numerous private and public collections worldwide, solidifying his reputation as an artist whose work speaks to the universal nature of human connection. 2025 Amélie, 2025 Mixed media on printed canvas 60 X 80 cm Tussle, 2025 Mixed media on printed canvas 60 X 60 cm Model, 2025 Mixed media on printed canvas 60 X 60 cm Red, 2025 Mixed media on printed canvas 60 X 60 cm Docio, 2025 Mixed media on printed canvas 60 X 60 cm Available works

Dashboard 2016-present Painting and augmented reality experimentation Previous Project Next Project

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Thriving in the Extreme - Extremophile Conference (Performer) 2018 A collaboration between Rachel Champion and Patrick Furness. Thriving in the Extreme is an academic conference which brings together a group of extremophiles to discuss the extreme physiological characteristics and environments they inhabit. More information here Previous Project Next Project

Gallery Walk Home Residents Partners Resources Open Call for residents We're looking residents! Applications will be considered from anyone based in the East Midlands or with a practice related to Lincolnshire, East Anglia and The Fens. We are particularly interested in applications which consider the unique landscape, it's heritage, history of agriculture and relationship to water. We are also keen to hear from those who would like to engage in community building and skills development. To apply, please send a short proposal (200-400 words) letting us know your interests, practice and any initial ideas. House & Garden Studio Space Produce Skills & Activities

House & Garden The house was built in 1840 on allotment land. To this day, the house cannot be reached by car and must be accessed by a public footpath from the village of Pinchbeck. Locked in by waterways, the kitchen looks out over changing agricultural fields to the River Glen, the water tower and beyond. The garden is established, with three old apple trees, cherry blossom, rosehip, ivy and creeping buttercup. The overgrown plot which neighbour's the site is home to many birds and wildlife, and Gallery Walk's garden has been home to our rabbits Leyla & Boris, and lurcher Peggy. Home House & Garden Studio Space Produce Skills & Activities Let’s Work Together Get in touch so we can start working together.